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Sony UDA-1

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The Little Integrated Amplifier/DAC That Could
The Sony UDA-1 incorporates a 20W x 2 Class AB amplifier (into 4 ohms) and a 24/192 and single and double rate DSD capable DAC (Burr-Brown PCM1795) into a handsome black or silver aluminum covered chunky little chassis. 20 Watts isn't much power but if you have speakers that aren't very demanding, and my DeVore The Nines at 91db and 8 ohms aren't, you can get away with 20 Watts. As a matter of fact, the little UDA-1 from Sony drove The Nines to my sonic satisfaction. There are however some operational quirks you must contend with if you use a Mac to get the most of outta that DSD DAC.

exaSound Audio Design e22 DAC

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exaSound Audio Design has managed to carve out a conspicuous place in the high end audiophile DAC market since beginning business less than 4 years ago. Michael Lavorgna reviewed the e20 MK III DAC for AudioStream (see review) and found it to do a fine job on PCM and native DSD playback. The e22 DAC is exaSound’s recently introduced flagship 2 channel DAC having improved on the design of the e20 MKIII to provide a superior level of sound quality. exaSound also builds an e28 DAC that can deliver from 2 to 8 channels of PCM and DSD.

Bryston BDA-2 and BDP-2

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A Sound House
One could buy a complete system, end-to-end, from the house of Bryston Limited. From a source like the BDP-2 to any number of loudspeakers and everything in between. We've taken just the digital sliver, the BDP-2 and BDA-2, to put under our sonic scope. I've been hearing good things about the BDP since it was a 1, so I must admit to being especially excited to get my hands the BDP-2, what Bryston calls a "digital player", and we refer to as a network player. Bryston was kind enough to also send along their matching DAC for a twofer review.

Box Designs by Pro-Ject Stream Box RS

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Pro-Ject
Pro-Ject may be best known for their turntables, but they offer a dizzying array of products through their Box Designs line as well. From CD players to speakers and most everything in between, in multiple lines ranging from the E Line, C Line, S Line, DS Line, and RS Line (in ascending price order). Today's Stream Box is from the RS line, the top of the Pro-Ject digital heap.

Cocktail Audio X30

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Cocktail Audio
Cocktail Audio is, to the best of my knowledge, a division of Novatron a Korean company specializing in the manufacture of "Multimedia Devices". I first came across the Cocktail Audio X30 at CES 2014 and I was intrigued by its all in oneness. The X30 incorporates a 50W digital amp, DAC, server, UPnP network player, and CD ripper all in one package. Just add speakers.

Pathos Acoustics Converto

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Converto
Italy's Pathos Acoustics is known in part for their sumptuously designed hi-fi gear. While today's Converto is somewhat understated, there are enough aesthetic touches to keep it apart from the mainstream black box crowd. A two-tone aluminum chassis with an engraved top plate wrap itself around the business innards of a DAC and headphone amp with a fully balanced class A analog output stage.

iFi Micro iDSD

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DSD512? PCM768?
The battery-powered iFi Micro iDSD DAC/Heapdhone amp is chock full of functionality. With the ability to play back up to DSD512 as well as PCM files with sample rates to 768kHz and double rate DXD through its dual-core Burr Brown DACs, I'd say the little micro is fairly future proof. Throw in a 8V @ 4000mW output for the headphone jack, and you've got yourself one fulsome package. But that's not all.

Korg Audiogate DS-DAC-100 high resolution audio playback system

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Korg
Korg views their DS-DAC-100 and AudioGate 3 software as a single product, a team that delivers up to double rate DSD natively as well as PCM resolutions to 24/192. You can elect to have the Audiogate software upsample everything you play through it or leave it set for bit perfect playback. The DS-DAC-100 also doubles as a headphone amp with its front-mounted 3/4" jack and associated volume control and I find it's Cheshire Cat smile shape to be a nice change from the ordinary.

Pono Player

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I Bought It
I bought a Pono Player directly from their Kickstarter campaign. I did so, in part, to support the project, in part because I'm a fan of Neil Young who is behind Pono, and finally because Ayre designed the digital and analog innards responsible for how the Pono Player sounds and everything I've heard from Ayre, including their QB-9 DSD DAC (see review), has been eminently musical so to get some Ayre tech for the price of a Pono Player struck me as a steal of a deal.

Audioengine B1 Bluetooth Music Receiver

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I Like Bluetooth
Audioengine makes a number of well-priced products that deliver their fair share of musical enjoyment. I favorably reviewed their A5+ speakers (see review) and we own two pairs of their original A2 speakers. Under inspection today is their B1 Bluetooth Music Receiver which adds Bluetooth connectivity to any hi-fi while also offering an internal DAC as well as a Toslink output if you already own a DAC you enjoy. What's the point of Bluetooth? Fun.

Resonessence Labs INVICTA Mirus DAC

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The Resonessence Labs INVICTA Mirus DAC represents the state-of-the-art offering from this Canadian company. The Mirus is closely related to the Invicta DAC that Michael Lavorgna reviewed in May 2013 (see review). Michael presented an excellent review that was quite thorough in describing the features of the Invicta. Since that time, a number of improvements have been added to the Invicta, including a new model called the Mirus. The XLR/RCA output specifications of the INVICTA Mirus outperform those of the standard Invicta. The headphone module is removed in the Mirus, and replaced with a second ESS Sabre DAC ES9018 for each channel. By combing 2 ESS Sabre ES9018 DACS in parallel per channel, a total of 8 ES9018 channels are available for each stereo output. Resonessence Labs has discovered that every time the Sabre DAC output channels are paralleled together performance improves. This feature results in a lowering of the noise and a decrease in THD compared to the Invicta. The dynamic range specification is also improved in the Mirus.

Exogal Comet DAC

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Out Of This Galaxy
Exo (out of this) + gal (galaxy). Exogal came to Earth in 2013, formed by four audio industry veterans, Jim Kinne, Larry Jacoby, Jeff Haagenstad, and Jan Larsen, "who worked for the some of the biggest names in the industry." From Exogal, "Jim Kinne is the technical heart and soul of Exogal. He’s a legendary audio engineer who’s produced countless award-winning products in his career, including the Wadia 27 decoding computer, Wadia 270 CD transport and the Wadia 790 PowerDAC, to name a few." Exogal currently has three products that include the Comet DAC, the Ion Digital Amplifier, and the Comet Upgraded Power Supply. Today we'll be probing the Comet DAC.

Mytek Manhattan DAC

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Manhattan
Mytek shook up the DSD DAC market with their Stereo192-DSD DAC back in 2011 at RMAF. At that time, there were just a handful of much more expensive DSD capable DACs and most people wondered if this DSD thing was going to catch on. It did. I favorably reviewed the Stereo192-DSD DAC (see review) which I still use daily. Mytek's new consumer offering is the Manhattan and it represents Mytek's "finest achievement" according to the company. Let's see.

The Wavelength Audio Crimson HS with Quotient Q1 DAC Module / Silver Transformers

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The Wavelength Audio Quotient DAC Module is a new upgrade for the Crimson High Speed USB DAC that has added DSD 64 / DSD 128 as well as support for PCM files up to 32/384 kHz. But the Quotient Q1 adds far more to the Crimson than just DSD and increased PCM sampling rate support. Gordon Rankin has gone back to the drawing board for this new DAC module resulting in a number of improvements for his flagship DAC.

Burson Conductor Virtuoso

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Built Burson Tough!
The Conductor Virtuoso's 6mm Resonance Free Aluminum (RFA) enclosure, constructed from precision-machined panels, is not used for looks alone. From Burson, "We took great care to ensure the thickness of each wall varied from the others to increase the mechanical damping factor. The RFA enclosures display superior mechanical noise rejection (internal and external) compared to conventionally folded-steel enclosures used by many audio manufacturers."

NAD C 510 Direct Digital Preamp DAC

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Direct Digital Trickles Down (and Up)
NAD's C 510 inherits its impressive innards from the company's M2 Direct Digital Amp (see Stereophile's review) and M51 DAC (see Stereophile's review). All incoming digital data (up to 24/192 PCM), the C 510 does not offer any analog inputs, is converted to a pulse-width-modulation (PWM) signal at a sampling rate of 844kHz before being converted to analog. Volume control is also handled in the digital domain and the C 510's 35-bit architecture allows for transparency at any level, in theory. Here's more from NAD, "Due to the very high clock speed [108MHz] and mathematical precision of our reconstruction filters, the resulting audio signal is totally free of digital artifacts like ringing." I suppose the only question remaining is—does all this work to make digital sound less...digital?

Cyrus Audio Stream XA

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Cyrus Audio
UK-based Cyrus Audio has been in the Hi-Fi game for 32 years starting out with one of the very first specialist CD players. Fast forward to today, and you're looking at a company that offers roughly 20 products from streamers to preamps, to power amps and a few combinations thereof. We're going to be playing with the Stream XA which combines a UPnP/DLNA network player, the Cadence control app for iOS and Android devices, and DAC all-in-one.

Cary Audio DAC-200ts

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Cary Audio, Raleigh, NC
I can still remember visiting audio retailer Audio Nexus in Summit, NJ back in the '90s and seeing the lovely Cary CAD-300SEI integrated amp which was at the time outside of my comfort price zone. I was heavily into exploring single-ended tube amps and ended up with my first love, the Sun Audio SV-300BE followed by many a Fi amp (I still own the prototype Fi 45), and finally landing very comfortably in the land of Shindo, albeit outside the SET camp. To say that Cary Audio represents an important part of our hi-fi history is to state the obvious and to say that I was looking forward to spending time with their latest DAC would be an understatement.

The MSB Technology Premium Quad USB2 Module for the Analog DAC

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The MSB Technology Premium Quad USB2 Module is a new USB input module for the Analog DAC that represents a substantial improvement in the application of USB technology for this highly respected DAC. Both Michael Lavorgna and I have previously reviewed the Analog DAC (see Steve's review and Michael's follow-up) and found it to be an excellent sounding DAC that was characterized by a relaxed natural sound. At the time of my review of the Analog DAC in 2013, MSB sent me the Platinum Data CD IV Transport to be used in the evaluation of the Analog DAC. MSB Technology felt that this transport connected to the MSB Network input module had superior sound to the USB Basic 384 input module and would better demonstrate the capabilities of the Analog DAC. Although I could get somewhat close to the sound of the Platinum Data CD IV Transport with numerous hardware tweaks and software programs, I still found the Transport to be better sounding than using the USB Basic 384 module.

LH Labs Geek Pulse Xfi & Linear Power Supply 4 (LPS4)

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Crowds & Power
More than any other audio company, much-much-more, LH Labs has been exceedingly successful in utilizing crowdfunding for product development and sales. This model obviously shirks the traditional hi-fi approach in many ways but most importantly lots of people are buying audio gear without anyone having heard it. Reviews necessarily come after the initial wave of crowdfunding and crowd-designing enthusiasm has ebbed so at best we can create a second wave or tell people what they already know. I find LH Labs overall approach refreshing if a tad fresh.
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